Kinfauns, part 2: 1960, 1965 & 1967.

And so to 1960. 5 years (or "something") before George got his hands on it, the owner decided to extend, and thus Kinfauns assumed the zig-zag shape familiar from its Beatle Belt incarnation. The thing I especially like about the 1960 plan is that the architect decided to embellish it with the name of the house, in what can only be described as proto-psychedelic lettering. Given the future history of the place, this seems like yet another "nice" co-incidence. Could it have been that the architect's cultural antennae were twitching? And that he somehow tuned into the zeitgeist, foresaw the influence this humble bungalow would have on popular culture, and let his pen do the talking? Could it really have been that?
No, of course not. Don't be so stupid. But, still, I like these things. Very much.
The house looked pretty much identical when George moved in:


After a couple of years of acid/topiary etc...not so much:


Finally, and with a finality that suggests finalitude, back to the 1960 extension plan, and the reason for the zag in George's zig: more bedrooms, apparently. I suspect this was children related in the case of the original owner. Not so in the case of George:


Part 3 to follow.