Kenwood: June, 1967.

Yet more out-takes from the 29th of June 1967 session at Kenwood, and these two will be up for grabs at the Tracks auction in April. Nice!
In other news, I note that the page hit count round these parts is now over a million. I do nothing to publicise things, update randomly and infrequently, and am not the most technologically savvy person in the world, so it's quite possible that anyone with, say, a new Twitter account can expect a million hits by lunchtime on the first day, but still, a million hits! For this nonsense! It blows my tiny brains out of my nose.
So, may I just proffer a thank you to everyone who has contributed in whatever way, and to you readahs in general? And now be about yer business:

Kenwood: if the face fits.

Back to that "French seamstress"; regulahs will be bored to discover a name attached to these familiar photos, namely "Simone".

The jacket itself pops up again at Sotheby's NY in 1990 - John had given it to an assistant in 1970, who in turn sold it at the aforementioned auction (see above, right). Described as a "Pocket Coat", they weren't kidding, featuring as it does 10 pockets - and a lining of gold brocade, no less.

The "innaresting" thing though, is the label - "Simone//June '67". Which begs the questions, who and whither "Simone"? The catalogue is convinced that said Simone was a member of The Fool, but there was no-one of that name in the collective. There was, o' course, Simon Posthuma, and The Fool were resident at Kenwood painting John's piano when the above "fitting" photo was taken. So might the "French seamstress" actually be Marijke? No - unless everyone was joining John in swapping clothes with the gayest of abandons, then these (taken on the same day) are of two different people:

So, in conclusion, I dunno. On which note, belated Season's Gratings to all readahs.

Kenwood: June 29, 1967.

Uncropped! Nuff said.

Via beatlesneveroutofstyle.

Kenwood: June 29, 1967.

The Beatles' Book Monthly photo library is being digitised and put on-line, including, o' course, the Leslie Bryce session from Kenwood. As suspected, a few new 'uns have been lurking unused in the files. Above - another sunroom seamstress shot, below - Lennon Jnr on the steps down to the pool:

This is maybe the most "interesting", however; the shelving in the living room, giving a glimpse of the platters that mattered at Kennie in the summer o' '67:

The first Buffalo Springfield album, clearly, plus that copy of Electronic Music again, somewhat less clearly, and then the rest is lo-res sludge:

...though I bet someone recognises them. Comment away if so. (I think there might be a Pepper in there. Or not.)

More new shots may follow.

Kenwood: June 29th, 1967.

Almost certainly another June 29th shot, taken, I'd guess, just before the famous one of John and Julian looking back up the steps to the door to nowhere, next to the sunroom.
You almost get a J'n'J-eye-view...but not quite:


Thanks to the sainted Lizzie Bravo for passing this 'un on.

Kenwood: June, 29th 1967.

More John on the couch, June 29th, 1967.

Kenwood: June 29th, 1967.

Both of these have been on here before, but somewhat cropped; here are the full (or at least fuller) versions, with the above providing a thrilling full-colour look at the garage roof, and the below not:

Kenwood: sunroom, June 29, 1967.

Yet another June 29 French seamstress pic, in the sunroom, of course. That makes five, so far, and surely not many more...

Kenwood: June 29, 1967.

Is there no end to these June 29, 1967 Kenwood pics? It would seem not. John and Julian, on the diving board. Actually, I think this one may have been on here before, but in appalling quality.

Kenwood: attic - June 29, 1967.

Yawn. Yet another June 29, 1967 attic shot... and this time in colour. How tiresome.
Seriously though, any "readahs" in the States should keep an eye out for pishy 60s fan mags; some of these, as the above shows, have fantastic unseen Kenwood "shittle". OK?

Kenwood: more June 29, 1967.

Another shot from June 29 rears its head, and a fine example too; John in a north-western corner of the grounds at Kenwood, fondling a pot plant (not for the first or last time, I'll bet). The photo comes from a February '68 feature in TeenSet magazine, which has a few other Kenwood piccies, though all those others have been seen before. This one of the attic likewise, but here just slightly bigger than the previously posted image:


Anyone familiar with Pete Shotton's memoir will recognise this room as the scene of an Eleanor Rigby inspired altercation; which may well have been what John was recalling in his final PlayBoy interview, when he talked of being hurt by Paul inviting songwriting contributions from whomever happened to be in the room, rather than from John exclusively; which is quite sweet, albeit childish.
Many thanks to Richard Morton Jack for the new pics.

Kenwood: upgrades.

Both of these have been on before in cropped/crappy form; here are uncropped/uncrappy upgrades. As regular "readers" will know, the black and white one dates June 29, 1967, and has John in the den, keeping an eye on Simone and Marijke painting his piano across the room. The orange cardied "vision" is from a bit later in the same year, on or about the driveway. There's another one here, and I daresay others as yet unseen elsewhere.
Thanks to Bruno Dupont for the better colour version.

Kenwood: more June 29, 1967.

...and as if on cue, a "new" June 29 shot appears; a particularly splendid example it is too. Though it's a mistake to read too much into these things, it does at least seem to encapsulate the sense of isolation reportedly felt by John at Kenwood. Either that, or he is "doing a guff".
At any rate, this pic allows the exact placing of those other photos of John sitting in the grounds. I'd thought these were taken right at the bottom of the garden, beyond the path, but in fact the garden chair was on the path itself. The bank behind him was much more overgrown in those days - the whole area was cleared in the mid-90s. Joe Baiardi's video captures the spot, and shows that the oak tree visible in one of the pics is still present and correct:


In other "news", Sara's blog has turned up another account of a fan visit to Kenwood, which is worth a look.

Kenwood: more back wall, June 1967.

Tammy has uncovered a new June 29, 1967 variant - John sitting on the lawn by the back wall beneath the sunroom...so that's another one to add to the ever growing tally.

Kenwood: June 29, 1967 - overview part 2.

The afternoon has begun to shade into evening. Following a complete change of wardrobe for John, who is now also wearing the badge last seen on gorilla head, the group decamp to the upper regions of Kenwood. John is pictured in three attic locations - the "living" room, the studio and in one of the recessed windows overlooking the eastern portion of the grounds. In his studio, he spends some time demonstrating the various weird and occasionally less-than-wonderful noises that can be made. After a few minutes messing around with the Mellotron, he shifts seats and picks up his old Gibson acoustic J-160, recently given a swirling paint job by Simon and Marijke. Staring into the camera, he hits the strings and turns the pegs, roughly tuning before bashing out part of a song. After some time, everyone heads out of the studio, back through the small living room, and into the short corridor containing the stairs:


Upon a landing below the attic, John has placed a rocking horse. He stops, climbs onto it with Julian, and several more images are captured. They go into one of the first floor bedrooms. The decor, in common with much of Kenwood, is heavily floral. On the bed lie two large stuffed toys, including the panda given to John by a fan before a concert in Manchester some years previously. Leslie Bryce jams some fresh film into his camera, and reels off a few more photos.
By now, word of the draconian jail sentences handed down to Messrs Jagger, Richards and Fraser will have filtered through. As evening draws on, and with the light beginning to fade, a final set of pictures is taken in the drive. John's Rolls has been moved out of the garage. He stands beside it, and then walks round to the front. Kneeling, he looks back at the camera, and then suddenly places his glasses on the ground and lies sprawled, body half underneath the car. With that, Bryce packs his camera up, thankyous and goodbyes are exchanged, and the session draws to a close:


Here endeth the Jackanory. In the Beatles Book monthly account, the "jacket" photos by the pool, clearly taken in broad sunshine, are identified as the last shots of the day. However, in the attic photos the light outside seems to be fading, and this is even more marked in those subsequently taken in the drive with the Rolls (see HERE), so I think they are probably the final ones. But I could be wrong about that.
The precise number of photos taken on June 29, 1967 is unknown. Apparently, the various colour transparencies were made as one-offs, and sent out to contemporary magazines; it's quite possible more will come to light as time passes.

Incidentally, the coloured shirt sported in a lot of these pics made at least two more public appearances (in addition to the AYNIL session); John wore it on the Maharishi express to Bangor over the August Bank Holiday weekend, and it is also to be seen in MMT, notably as part of John's Eggman ensemble:

Kenwood: June 29, 1967 - overview part 1.

The following is an attempt to recreate circumstances surrounding the extensive photographic session at Kenwood on June 29, 1967, and is based on various contemporary sources. It is written in the present tense for the hell of it. For reasons which I'll go into in the next post, the story of the visit in the Beatles Book monthly does not seem to tally exactly with the photographs taken that day. The photos in this post are simply meant to be a representative sample to illustrate events; most of the others are elsewhere on these pages, for those that might want them.

Thursday June 29, 1967 dawns mild over St George's Hill, the promise of a very warm day to come, with wispy clouds in the upper atmosphere.
Mid-morning J. W. Lennon Esq. rises to breakfast with family and house guests Simon and Marijke; these two members of art and design collective the Fool are currently engaged on the week-long task of painting John's favourite piano, an upright Bechstein model reportedly procured from Aunt Mimi. The three are attired much in keeping with time and place: John in black trousers, trainers and multi-patterned shirt, together with ever-present talisman necklace, Simon in white sweat-shirt emblazoned "Jesus Saves" (John will soon be spotted in Greece sporting a similar t-shirt), Marijke with long orange and green striped dress; in the case of the latter two, these are work clothes, covered in paint due to the ongoing job in hand. The day to come is discussed.
John is to take part in a photo shoot around house and grounds, and a French tailor will arrive to fit him with new, custom designed clothes.
Elsewhere, Mick Jagger, Keith Richards and Robert Fraser are all to be sentenced, having just been found guilty of various drug related misdemeanours. Of the three, Fraser is a regular visitor at Kenwood, usually in the company of John Dunbar: The pair of them constitute John's main "acid buddies" these days, along with Terry Doran and George; endless time in the grounds staring at trees, or up in the attic, messing with the tapes and laughing. Other items in the news (John is a voracious consumer of newspapers) include unrest in the Middle East, and the ever present war in Vietnam. It is possible that radio reports concerning the death of actress Jayne Mansfield (with whom John had a momentary dalliance a few years previously) are in the air.
Come the early afternoon, and Beatles Book editor Johnny Dean together with photographer Leslie Bryce arrive at the spray-painted front door, having been led to Wood Lane by Pattie and George following a chance encounter on Esher High Street. Julian appears in the hall, and decides that he is going to be part of proceedings. As they move through the house, John plays records, alternating albums of "noises" with the recently recorded All You Need Is Love. At one point, Cynthia prepares a meal of ham, sweet corn and trifle, which is served in the dining room.

An initial set of photos is taken in the den; using a design based upon John and Cynthia's star signs and the tarot, Simon and Marijke decorate the piano, whilst in the opposite corner furniture is swathed in protective white sheeting. John films proceedings on a small cine-camera, before adding stickers to the casing of a television sitting in the middle of the room. Passing through the lounge, where an odd gorilla-headed timepiece (complete with "I Still Love The Beatles" badge) is captured on film, the group continues on to the north-west extension (actually a huge garage and home to John's newly psychedelicised Rolls Royce) overlooking the swimming pool. A number of shots are taken before everyone walks back through the house, and outside to the pool itself; John perches on a small diving board immediately above his Eye Of Knowledge mural, and plays with the water filter whilst Julian runs around:


Moving back indoors, he nips upstairs to change clothes, donning the same Fool designed none-more-1967 shirt worn the weekend before at EMI studios for the Our World broadcast of AYNIL. The talisman necklace is joined by a distinctive triangular pendant. John initially sits outside the sunroom, occupying his favourite perch atop a wall overlooking the extensive gardens, before moving to the lawn just below:


Following the same path seen in Joe Baiardi's video, everyone heads towards the foot of the hill. By the large oak tree near the bottom of the path, there is a small garden chair. John sits in it for a few minutes, lost in thought. He suddenly jumps up, and they follow the path to its end, past a bird-table, where two outbuildings are situated - a greenhouse and a potting shed, in and around which John is then photographed:


Whilst all this has been going on, the French girl arrives with John's new clothes. The party return to the house, where John lies on the sunroom couch perusing a recent copy of International Times; the cover features a tribute to the 14 Hour Technicolour Dream event, held at London's Alexandra Palace on 29 April 1967, which he himself attended. The seamstress sits opposite putting the finishing touches to a black jacket. John jumps up and tries it on in front of the bric-a-brac strewn shelving set against the north sunroom wall:


Because it is such a pleasant afternoon, John, Julian, Johnny Dean and Leslie Bryce immediately go back outside and down the steps, where more photographs are taken, this time on the near side of the pool.
Another change of clothes is decided upon, and on the way to the first floor bedroom, with its large dressing room, John and Julian are pictured sitting in a bath chair in one corner of the dark, book-lined entrance hall:



Like it or not, part 2 follows...

Kenwood: sunroom - June 29, 1967.

June 29, 1967 was a busy day chez Lennon. Not only was he playing host to Simon and Marijke and being fitted with new clothing courtesy of a French seamstress (or rather "een jonge Franse modeontwerpster"), but he also, as any fule noe, had the Beatles Book monthly round to record all this and more, photographically; and praise be to the church of your choice that he did, for otherwise there would be no visual record of Kenwood's interior at that time, give or take the odd fan photo of the sunroom.
So here is another scan from the Dutch magazine PEP, ca 1967; I'd never seen this particular photo before, and it's surprising (and surprisingly good) that "new" shots from this session continue to surface.
While I'm about it, I may as well also include the following - comped, imperfectly, from two images in an attempt to gain a whole wall perspective; which didn't exactly work, but nevertheless...


Huge thanks again to Ron de Bruijn for the first photo.