Over the gate...

Designed in 1913 by Victorian/Edwardian/other architect Theophilus A Allen; John Lennon's house between 1964 and 1968; sunroom, attic and prisco stripe hibernice; Mellotron and caravan; Babidji and Mimi; mortar and pestle; Wubbleyoo Dubbleyoo; curios and curiosity; remnants and residue; testimonials and traces; (Cavendish Avenue, Sunny Heights and Kinfauns); Montagu Square; mock Tudor: Brown House: *KENWOOD*.

(Also available as a blog.)

Legal Blah: This blog is for historical research only, and is strictly non-commercial. All visual and audio material remains the property of the respective copyright owner, and no implication of ownership by me is intended or should be inferred. Any copyright owner who wants something removed should contact me and I will do so immediately. Alternatively, I would be delighted to provide a credit. The writing is by me, such as it is, unless otherwise stated, and this is the only Beatles related blog I am responsible for.

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Comments are the responsibility of the individual commenter, and commenters' opinions do not necessarily reflect my own. (NB: This blog revels in flagrant trivia. If that's not yer "thing", this won't be yer "thang".)

Correspond via: kenwoodlennon@googlemail.com

Tuesday, 5 February 2013

57 Green Street: Flat L.


Despite lysergic dreams of communal living in 1967, the only time all 4 actually co-habited was in the autumn of 1963, at number 57 Green Street in Mayfair, central London. And yes, you guessed it - massive renovation means that this place is almost completely unrecognisable, making the auld then unt nau-ing almost impossible.
However, tragically, I have nothing better to do today, so hier ist der guff; fireplaces may be ripped out and renewed, but the locations don't tend to move about, so it's probably safe to assume that the above correspond.
The famous photos of fan-mail-openage would have been taken at the other end of this room. Note the bit of wall above the right hand red arrow - back in '63 there were 2 rooms here, with the far end forming a small dining room next to the kitchen. That section of wall "hanging" from the ceiling is what remains of the division between the living/dining rooms:



I think the record player would have been in the living room, and the windows seem to correspond:


As does the brick edge visible outside the window. Note too how the '63 ceiling has gone, so to utilise what would have been attic space back then and create a more "roomy" room:


If that's a blind, then these may correspond:


I'm pretty sure these don't, though. The modern one is an en-suite off one of the two bedrooms; I'd guess the '63 shot was taken in the small central toilet designed for communal use (though one at a time, gentlemen please):


Or.................................................................................not.

Kenwood: June 29, 1967.


The Beatles' Book Monthly photo library is being digitised and put on-line, including, o' course, the Leslie Bryce session from Kenwood. As suspected, a few new 'uns have been lurking unused in the files. Above - another sunroom seamstress shot, below - Lennon Jnr on the steps down to the pool:


This is maybe the most "interesting", however; the shelving in the living room, giving a glimpse of the platters that mattered at Kennie in the summer o' '67:


The first Buffalo Springfield album, clearly, plus that copy of Electronic Music again, somewhat less clearly, and then the rest is lo-res sludge:


...though I bet someone recognises them. Comment away if so. (I think there might be a Pepper in there. Or not.)

More new shots may follow.

Sunday, 3 February 2013

The Beatles: All These Years, Vol 1.


Exciting! For once! The Special Edition of Mark Lewisohn's Beatles' history can now be pre-ordered! (He's the one on the right, above.)(I think.)

I don't need to to tell you, do I not, that this tome has been 8 years in the making, that this tome promises to be the ultimate why? what? where? when? how? whathefuck? tome; that though this tome will certainly spawn a thousand trails leading to other tomes, there will never be another tome like this tome. 3 volumes (or tomes), overall, and, finally, here is the first.

According to Amazon, Volume 1 will have, initially, two editions: a standard hardback first, priced at 30 pounds, and the Special Edition, priced at 120.

Now, 120 quid in these disgusted times is a lot o' dough, no question, but you are getting the whole schnizzle for that - the unexpurgated poop, the undefiled shiznit... 1856 pages, apparently, and, in short, the fruit of 8 years' research and writing, and half a century's knowledge.

Plus it's a limited edition and I guarantee you there won't be a more sure-fire investment this year.

So, if you can possibly afford it, here it is: ALL THESE YEARS - SPECIAL EDITION VOLUME 1

The above leads to the UK Amazon site. The US one doesn't have it up yet. As it were.

But all actually quite exciting, no?

UPDATE: Official site link now added under Friends unt Neighbours!

Tuesday, 29 January 2013

Tittenhurst: then unt etc.


Some relatively recent photos of Tittie have been doing the rounds, allowing for the usual guff. No red arrows required, as the new bits are clear to anyone with revolving eyeballs. Me no like (the new bits, not revolving etc.).
The front door area is pretty much still the same, despite a lick o' paint, and, with no small dash of irony, the not here "This Is Not Here" sign (which isn't):


Finally, the swimming pool, these days fully enclosed in glass carbuncle:


Thanks to Eric Nernie for the pics.

Kenwood: 3D sunroom update.


Chris Sileo continues work on the virtual Kenwood; lots more detail outside now, and a shift in seasons to boot.
Link under Friends & Neighbours (3D Sunroom).

Saturday, 26 January 2013

Kenwood: knockers (related).


It turns oot the very day our old buddy, pal unt etc Henry Grossman arrived at Kenwood, John was sticking a self-designed coat of arms on the front door, and Henry, bless 'im, had the presence of mind to capture the very moment. To wit, the bovine frontispiece:


Clearly nicked at some point, for by '68, it was the auld Lennon coat o' arms in place:


Lovely, lovely, lovely, lovely stuff. Many thanks once again to Lynn Mayes, Jeannette Casarta and the the Cynthia Powell Lennon Yahoo Group for sticking it aw up. Fanks.

Thursday, 24 January 2013

Kenwood: 1965.


Some incredible new Kennie pics have begun to seep out, following publication of the reportedly astonishing Henry Grossman book.
So, the living room in 1965 during a visit by George and Pattie. Compare the room now, and the first thing that strikes you is that the old fireplace has also gone... but note the much lower ceiling; I reckon the old beams are possibly still up there:


First ordah o' business when the Kenwood restoration gets under-way will be to remove that new ceiling and see what's up there.
A couple more charming tableaux; this 'un:


Unt this:


What were they up to?
To the first floor, and a glimpse beyond the sliding screen in the master bedroom to the en-suite bathroom sink:


The same room now (as readahs will know, this was a bathroom for years, but is currently back to being used as the master bedroom):


I also couldn't help but notice the Lennon-era decor, and recall the fragments of wallpaper rescued by Joe Baiardi on one of his visits to Kenwood a few years back:


Many thanks to Lynn Mayes and the Cynthia Powell Lennon Yahoo Group for making these available, and to Jeannette Caserta for passing them on.

Saturday, 19 January 2013

Cavern Club: August 22, 1962 (unt oder sheisse).



This only has 200 or so views on YouTube, so far. Why God, why? It's all great, but the highlight has to be a complete run through on one camera of Some Other Guy, with no stupid cutaways to them doing Kansas Shitty (or whatever it was).
Regulah readahs will know my fondness for pretentious bullshit. Enuff already! This, to quote Shakin' Speare 'imself, is the shit, the bomb, the flim flam flum: in short, feckin' GENIUS.

Sunday, 6 January 2013

Flood Street: 4 Chelsea Manor Studios, SW3.


Above: Chelsea Manor Studios on Flood Street, opened in 1902, and from 1966 "home" to the photographer Michael Cooper, who occupied Studio 4 on the rear ground floor.
Twas in this very space, twas it not, come 30 March 1967, that Ver Fabs assembled to complete the still remarkable Pepper cover collage.
And here is that very same very space almost half a century later; converted for residential use in 2002, below is the former studio from both ends - and note how the camera lies, making the room appear much bigger than it actually is.
Compare, using the radiator for perspective (and, o' course, click on the pics for a better look):


At some point in the intervening period, a mezzanine floor has been constructed, something which makes perfect sense in terms of maximising the useable space, but is somewhat unfortunate when it comes to "then unt now-ing": the new floor sits right where the upper portion of the collage would have been.
Again, compare the door visible in '67, with the doors now:


So, the room inevitably much changed; however, study it for a bit - recognisable features remain...
1) Parquet floor:


2) What was probably a fireplace in the early 20th century:


Now from the other angle - the rear wall:


Widen the perspective a bit, and there's that fireplace/chimney again, and here almost the exact same angle, then unt now:


So there it is, a magikal spot for anyone interested in this nonsense...


...which just leaves a couple o' things.
Firstly, John's quote from Whistle Test, viz "Two of them are flying...", whence twas stated that he and one other Fab had taken something, presumably acid, before the shoot.
If so, this gives the lie to the oft-repeated "fact" that the only time John ever took the dread lysergic at Abbey Road was 9 days previously, by mistake, on 21 March during a session for Getting Better.
Immediately following the Pepper shoot, off they did scoot to Studio 2 at Abbey Road in order to watch Paul add bass to With A Little Help..., all the eternal while John and mystery Fab plumbing the depths of inner space. (Who was it? Not Paul, shurely - he had bassage to attend to. Most think it must have been George, and maybe so. But I wouldn't be surprised if it was actually Ringo - the majority of photos from this memorable evening show John and Richie as tight as the proverbial "cran du moucheron"):


Lastly, and much more prosaically, following Cooper's death in 1972 the studio became a Beauty School, of all things, and here are 3 vintage pics of Studio 4 under that very guise:


Note that parquet floor. Again. (Or, as ever, don't.)

Monday, 24 December 2012

Kenwood: 3D sunroom!


Here's a not so wee Christmas pressie: Chris Sileo, the not so wee genius that he is, has released the latest version of his 3D sunroom. A work in progress, still, but now an "explorable" one.

For once, enough o' my blather - go to the link at the end of this sentence (click on the 4 arrows on the menu bar when you get there to centre it), and prepare to be astoundergast... 3D SUNROOM!

(Chris also has a Facebook page up and running showing some of his other works in progress. Head over there and "Friend" him, or whatever you do on these things: The Beatles in 3D on Facebook)

Monday, 17 December 2012

Whaddon House, SW1: Flat 15.


Whaddon House, on Williams Mews, London SW1, saw Fabs related goings and comings during the peak mania era; Ringo and George both lived here in '64 and early '65, variously in flats 5, 6 and 7. This was mainly because Eppy had already moved in circa late 1963, occupying the top floor flat number 15, and it is this, dearly beloved, with which we occupy us-selves today.
Above, Brian in morning dress, apparently off to Ascot, no doubt to lose (or even win) an enormous sum on the fillies. Taken on the balcony immediately outside the living room, note the tiling intact to this day:


A Bri-eye view:


Heading in to the living room, and this pic of John captures a corner likewise more or less unchanged:


As for the rest of the room, doing that auld "then unt nau" raises the head of dread renovation once again. Note the appearance of doors in the other corner, where previously there were none:


This pic of ver Fabs with Lonnie Trimble, Brian's housekeeper, gives a wider view of the same spot. The modern doors lead to the kitchen. It seems that at some point the living room has been widened out, not to mention, in common with much modern renovation, blanded out, with various quirks removed in order to leave a bigger and more symmetrically shaped room.
I'd guess the door visible here in the Trimble pic would have been the original kitchen entrance (with the kitchen at that point being of a larger size); renovation has seen a whole section of wall (and kitchen) removed to create more floor-space in the living room, with the new kitchen entrance knocked through in that far corner:


Something similar has occurred in the other corner of the room; note the jutting out bit of wall and double-doors in the Eppy pic. Again, that section of wall has been removed and a single door installed, for the same reasons as above - in order to create more living room floor space:


Les Fabs in pretty much the same spot:


Lastly, some other modern shots of the flat: kitchen, hall, bedroom and en-suite:


If I don't get round to posting anything else this year, might I take the opportunity to wish regulah perusers of this rubbish all gratings of the season, and a happier New Year too. Might I? I just might.

Friday, 7 December 2012

50 Pubs Associated With The Beatles: ...


No. 40: The Old Dive, 12 Brythen Street, Liverpool.
The return of the profoundly pointless 50 Pubs Associated With Etc. feature, and where better to restart than The Old Dive on Brythen Street.
This hostelry is mentioned in an amusing anecdote in Hunter's Beatles biog, as recounted by then landlord Danny English.
Ver lads, it seems, used to frequent this place on a regular basis, due to its proximity to Mathew Street, which made it a handy spot to waste a few hours between lunchtime and evening engagements.
Being perennially skint (or possibly just a bunch of tight-wads), they would pull the old trick of ordering a single beer, and then using that as an excuse to sit in the warm for hours on end staring into space.
Eventually, said Mr English advised our heroes that it was high time they stood the barmaid a drink. Quoth Danny: "After a lot of discussion, they asked me what she was drinking. I said stout. They said how much was that. After more discussions, they produced 4 and a half d. each and bought her a Guinness."
The only illustration of the interior I've been able to find is the following rather wonderful pic from the pages of the Catholic Herald:


It dates from 1957, and shows the then Archbishop of Liverpool, accompanied by the Lord Mayor and Lady Mayoress, plus a bevy of nuns (that shurely can't be the collective term for nuns, can it? Isn't it a gaggle of nuns? Oh dear, I am talking to myself again), inside the Old Dive, getting bladdered.
I jest. No alcohol was imbibed by the group; rather they were there to pick up a collection - Liverpool's tallest column of pennies, no less, destined for a local hospice.
Sadly, this pub together with the whole surrounding area was levelled a few years later, and nothing now remains.

Tuesday, 27 November 2012

Kenwood: more then unt nau.


Another splendid "new" December '68 shot, and I shall manfully resist the temptation to pussy-related punnery.
This, as regulah readahs will shurely kno, is the thrilling location of the bottom of the garden steps location, as captured from the opposite angle by Cathy Kelleher Sarver a few months prior to the above pic:


And the same spot now: note the tree, which has (fairly obviously) survived, and the newly constructed indoor swimming pool on the right, topped with grass:


The interior:


Finally, another good new 'un of the pair oot and, indeed, aboot in the "grunds":


Gratitude yet again to Sara from MTBFR.