The cover of Unfinished Music No. 2: Life With The Lions was clearly intended to draw a straight line, with good reason, between the events of October 18/19 1968, when John and Yoko were arrested at Montagu Square before being taken to court, and the subsequent miscarriage of their child. There's little doubt that the police were heavy handed. The then home secretary, James Callaghan, privately admonished Sgt Pilchard over his handling of the affair. When asked why it had needed seven police to arrest John and Yoko, Pilchard apparently replied, "it is not unusual when executing search warrants for premises occupied by members of the entertainment world to find that there are large numbers of people present taking part in unusual parties. In this case it was found that only two persons were present, and both were in a state of undress." Wot, no Mars Bars? Their appearance at court the day after the bust led to a brief but comprehensive frenzy - John and Yoko herded out in front of an unholy mob comprising antagonistic pant-hooters, rubbernecking dimwits and Fleet Street smudgers. Footage reveals the ordeal to have been mercifully brief (though its consequences were far reaching). Yet this is one instance where photography speaks louder than film.(Incidentally, the building was demolished February, 2009).
Over the gate...
Designed in 1913 by Victorian/Edwardian/other architect Theophilus A Allen; John Lennon's house between 1964 and 1968; sunroom, attic and prisco stripe hibernice; Mellotron and caravan; Babidji and Mimi; mortar and pestle; Wubbleyoo Dubbleyoo; curios and curiosity; remnants and residue; testimonials and traces; (Cavendish Avenue, Sunny Heights and Kinfauns); Montagu Square; mock Tudor: Brown House: *KENWOOD*.
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(Also available as a blog.)
Legal Blah: This blog is for historical research only, and is strictly non-commercial. All visual and audio material remains the property of the respective copyright owner, and no implication of ownership by me is intended or should be inferred. Any copyright owner who wants something removed should contact me and I will do so immediately. Alternatively, I would be delighted to provide a credit. The writing is by me, such as it is, unless otherwise stated, and this is the only Beatles related blog I am responsible for.
Comments Blah: Comments are moderated. Any genuine comments are welcome. Due to idiotic spamming, you'll have to press the "Follow" button on the right under "Kenwoodites..." in order to leave a comment. Offensive comments/advertising/trolling/other moronicisms are not welcome, and will be rejected.
Comments are the responsibility of the individual commenter, and commenters' opinions do not necessarily reflect my own. (NB: This blog revels in flagrant trivia. If that's not yer "thing", this won't be yer "thang".)
Correspond via: kenwoodlennon@googlemail.com
Thursday, 11 June 2009
Life With The Lions 1: Marylebone Magistrate's Court, London, October 19, 1968.
The cover of Unfinished Music No. 2: Life With The Lions was clearly intended to draw a straight line, with good reason, between the events of October 18/19 1968, when John and Yoko were arrested at Montagu Square before being taken to court, and the subsequent miscarriage of their child. There's little doubt that the police were heavy handed. The then home secretary, James Callaghan, privately admonished Sgt Pilchard over his handling of the affair. When asked why it had needed seven police to arrest John and Yoko, Pilchard apparently replied, "it is not unusual when executing search warrants for premises occupied by members of the entertainment world to find that there are large numbers of people present taking part in unusual parties. In this case it was found that only two persons were present, and both were in a state of undress." Wot, no Mars Bars? Their appearance at court the day after the bust led to a brief but comprehensive frenzy - John and Yoko herded out in front of an unholy mob comprising antagonistic pant-hooters, rubbernecking dimwits and Fleet Street smudgers. Footage reveals the ordeal to have been mercifully brief (though its consequences were far reaching). Yet this is one instance where photography speaks louder than film.(Incidentally, the building was demolished February, 2009).
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